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	<title>julietteblom</title>
	<link>https://julietteblom.com</link>
	<description>julietteblom</description>
	<pubDate>Wed, 06 Mar 2024 11:30:18 +0000</pubDate>
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		<title>Index</title>
				
		<link>https://julietteblom.com/Index</link>

		<pubDate>Thu, 01 Apr 2021 09:38:13 +0000</pubDate>

		<dc:creator>julietteblom</dc:creator>

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		<title>IS IT SOUND OR IS IT NOISE?</title>
				
		<link>https://julietteblom.com/IS-IT-SOUND-OR-IS-IT-NOISE</link>

		<pubDate>Thu, 01 Apr 2021 10:09:23 +0000</pubDate>

		<dc:creator>julietteblom</dc:creator>

		<guid isPermaLink="true">https://julietteblom.com/IS-IT-SOUND-OR-IS-IT-NOISE</guid>

		<description>
&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/b3be579b35521e2783f9aea5ffde1e482cd482f9c6d14e4153235320dcb49796/IMG_6225---kopie.JPEG" data-mid="206166622" border="0"  src="https://freight.cargo.site/w/1000/i/b3be579b35521e2783f9aea5ffde1e482cd482f9c6d14e4153235320dcb49796/IMG_6225---kopie.JPEG" /&#62;
&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/074d9f62f595a78b2a51b0b0b26f1e80ea82997f1810747793e907a2ae4684a8/60a85322-45f5-4f71-8c5f-a01bd461c2fc---kopie.JPG" data-mid="206166379" border="0"  src="https://freight.cargo.site/w/1000/i/074d9f62f595a78b2a51b0b0b26f1e80ea82997f1810747793e907a2ae4684a8/60a85322-45f5-4f71-8c5f-a01bd461c2fc---kopie.JPG" /&#62;
&#60;img width="2160" height="2880" width_o="2160" height_o="2880" data-src="https://freight.cargo.site/t/original/i/1269b9564a547ceaab25e48133115e0b8dded06b70efe09d721b4f08f4d92f32/A1889E24-2241-4196-9058-9795AEE3AD70---kopie.jpg" data-mid="206166495" border="0"  src="https://freight.cargo.site/w/1000/i/1269b9564a547ceaab25e48133115e0b8dded06b70efe09d721b4f08f4d92f32/A1889E24-2241-4196-9058-9795AEE3AD70---kopie.jpg" /&#62;
&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;

IS IT SOUND OR IS IT NOISE?

I’m overstimulated. I’m overstimulated by sound.Sound that becomes noise.Noise of people, of traffic, of bad acoustics.I’m overstimulated by the world.



More more more
I’m seeing a world where we are stuck in a cycle of wanting everything better,
faster and more. Not because we need it, just because it is there. Did you ever
think 4G was slow or only after 5G was an option? This more-more-more cycles is
making us desensitised to the information and visual overload which is creating
even more stimulus to keep your attention. For my ADHD brain this has caused an
extremely overstimulating world. How can I live in this overstimulated world
without getting overstimulated?



Solution or problem
In search for an answer, I used the AI to come up
with solutions beyond noise-cancelling headphones. I want to cancel the noise,
but not the sound. I want to be open to social interaction, but not open to the
overstimulation. During the process, the AI gave me many-many-many solutions.
The amount of unlimited possibilities, created in seconds and the perfectness
of every execution was overstimulating &#38;nbsp;by
itself. Making me wonder if I am creating because it is necessary or just
because I can. 



In my interactive installation I visualize
a tsunami of &#38;nbsp;overstimulation. The images
show the solutions to sound overstimulation, yet is such manner, it becomes the
problem itself. 







shown at ArtEZ FINALS exhibition 2024
 
 


&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/c5f8c485d6fe3246412e2a497a0319b9fba64bb302e848c6cb92beb386a49b26/IMG_9226---kopie.JPEG" data-mid="206166389" border="0"  src="https://freight.cargo.site/w/1000/i/c5f8c485d6fe3246412e2a497a0319b9fba64bb302e848c6cb92beb386a49b26/IMG_9226---kopie.JPEG" /&#62;
&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/485919ac72bc1076e47a24277ff527df67ae5bd582c2208b54b3d8151b15a2f4/IMG_9228---kopie.JPEG" data-mid="206166390" border="0"  src="https://freight.cargo.site/w/1000/i/485919ac72bc1076e47a24277ff527df67ae5bd582c2208b54b3d8151b15a2f4/IMG_9228---kopie.JPEG" /&#62;


.







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 &#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/91cd522c4cb05f10a7e4c700852c50d8311056267a7ec56bfb6176753a0f7494/IMG_6229---kopie.JPEG" data-mid="206166382" border="0" data-scale="23" src="https://freight.cargo.site/w/1000/i/91cd522c4cb05f10a7e4c700852c50d8311056267a7ec56bfb6176753a0f7494/IMG_6229---kopie.JPEG" /&#62;&#38;nbsp;&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/87547b85d62d86b6c0fb7d7886ddbc859dfd86419460cfc17bd0528a99f63b94/IMG_6228---kopie.JPEG" data-mid="206166381" border="0" data-scale="23" src="https://freight.cargo.site/w/1000/i/87547b85d62d86b6c0fb7d7886ddbc859dfd86419460cfc17bd0528a99f63b94/IMG_6228---kopie.JPEG" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
 
 
 
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/8f315ecac1a1ea1172f9b09ab50de75f0c12eaea3db51037d892209ececb35f8/IMG_6273---kopie.JPEG" data-mid="206166383" border="0" data-scale="11" src="https://freight.cargo.site/w/1000/i/8f315ecac1a1ea1172f9b09ab50de75f0c12eaea3db51037d892209ececb35f8/IMG_6273---kopie.JPEG" /&#62;&#38;nbsp;&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/8c367ef0deb347576efea245b76e95f148ebda1f13b174e481188a891694b7cd/IMG_9213---kopie.JPEG" data-mid="206166387" border="0" data-scale="23" src="https://freight.cargo.site/w/1000/i/8c367ef0deb347576efea245b76e95f148ebda1f13b174e481188a891694b7cd/IMG_9213---kopie.JPEG" /&#62;&#38;nbsp;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/77c37826cfe6efca1ba91dd5a5c9d75be5ea71c6341cda5d9f0f56272b977d8e/IMG_6306---kopie.JPEG" data-mid="206166386" border="0" data-scale="35" src="https://freight.cargo.site/w/1000/i/77c37826cfe6efca1ba91dd5a5c9d75be5ea71c6341cda5d9f0f56272b977d8e/IMG_6306---kopie.JPEG" /&#62;&#38;nbsp;

&#38;nbsp;




&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/074d9f62f595a78b2a51b0b0b26f1e80ea82997f1810747793e907a2ae4684a8/60a85322-45f5-4f71-8c5f-a01bd461c2fc---kopie.JPG" data-mid="206166379" border="0" data-scale="26" src="https://freight.cargo.site/w/1000/i/074d9f62f595a78b2a51b0b0b26f1e80ea82997f1810747793e907a2ae4684a8/60a85322-45f5-4f71-8c5f-a01bd461c2fc---kopie.JPG" /&#62;&#38;nbsp;&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/2ff59939d30cc2a35d17f13e53e0c4b9e820a2959f449d346d2a1af32bc3b514/IMG_6287---kopie.JPEG" data-mid="206166623" border="0" data-scale="26" src="https://freight.cargo.site/w/1000/i/2ff59939d30cc2a35d17f13e53e0c4b9e820a2959f449d346d2a1af32bc3b514/IMG_6287---kopie.JPEG" /&#62; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="1536" height="2048" width_o="1536" height_o="2048" data-src="https://freight.cargo.site/t/original/i/4a62797aac8415ae6541da68a378beed687a8639ff6dce4d94aad601fb106be2/IMG_9201---kopie.JPEG" data-mid="206167485" border="0" data-scale="19" src="https://freight.cargo.site/w/1000/i/4a62797aac8415ae6541da68a378beed687a8639ff6dce4d94aad601fb106be2/IMG_9201---kopie.JPEG" /&#62; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

</description>
		
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	<item>
		<title>AN4-STASi4</title>
				
		<link>https://julietteblom.com/AN4-STASi4-1</link>

		<pubDate>Wed, 06 Mar 2024 11:30:18 +0000</pubDate>

		<dc:creator>julietteblom</dc:creator>

		<guid isPermaLink="true">https://julietteblom.com/AN4-STASi4-1</guid>

		<description>&#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp;
&#60;img width="1689" height="1126" width_o="1689" height_o="1126" data-src="https://freight.cargo.site/t/original/i/48feedb51c85ae63220814cc99390d8475027922a9a0ec367a8196d9f1aaba32/Afbeelding3.jpg" data-mid="206165487" border="0"  src="https://freight.cargo.site/w/1000/i/48feedb51c85ae63220814cc99390d8475027922a9a0ec367a8196d9f1aaba32/Afbeelding3.jpg" /&#62;
&#60;img width="1681" height="1121" width_o="1681" height_o="1121" data-src="https://freight.cargo.site/t/original/i/68e72b051b644a0468f29dd7fbbe82688aa6030bc37e0819be809ece227f442d/Afbeelding2.jpg" data-mid="206165486" border="0"  src="https://freight.cargo.site/w/1000/i/68e72b051b644a0468f29dd7fbbe82688aa6030bc37e0819be809ece227f442d/Afbeelding2.jpg" /&#62;
&#60;img width="1687" height="1125" width_o="1687" height_o="1125" data-src="https://freight.cargo.site/t/original/i/44e6dc65b48011fb7dbdf9de214fbddd18f82309faf1f7d6a9cb94876ba41b08/Afbeelding1.jpg" data-mid="206165485" border="0"  src="https://freight.cargo.site/w/1000/i/44e6dc65b48011fb7dbdf9de214fbddd18f82309faf1f7d6a9cb94876ba41b08/Afbeelding1.jpg" /&#62;


AN4-STASi4












AN4-STASi4 is a new type of computer that risks drowning itself through its use. It raises awareness of your data consumption by pumping water into a tank in front of the screen every time the computer storage is used. Without proper data management, eventually, the water level will become critical, overflowing onto the electronics and destroying the device itself. This extreme interaction proposal aims to counter the common perception of data storage as something ephemeral, limitless, and without consequence in a very direct and tangible way.

We started this project by researching on-demand services. These types of services offer content instantly whenever needed or wanted. This type of relationship between consumer and product changes our understanding of availability, accessibility, and ownership. We used hoarding as a metaphor to further explore these values. What, for example, is the difference between collecting and hoarding? And why is one perceived as positive and the other as negative?

Hoarding is when someone has an obsessive difficulty in throwing things away because of a strong perceived need to save or own items. Because this behavior can generate emotional, social, and health risks, it is clinically described as a mental disorder. Within physical space, hoarding is uncommon and perceived as something bad. In contrast, we found that it is very common to hoard in digital space and that it is also not (yet) seen as something problematic. Just think about all the photos on your phone, or all the tabs that are still open in your browser.

Digital space makes it very easy to hoard because storage space is easily accessible, abundant, and cheap. And because the behavior can take place within an invisible cloud or on a private device, it isn’t easily apparent from the outside. Therefore, it seems to be without consequence. However, although digital hoarding doesn’t pose any direct physical danger, it can still cause emotional and even social stress. On top of that, the power consumption of data storage can generate indirect dangers through its harm on the planet.

We wanted to highlight the possible dangers of our digital hoarding behavior by creating an interface that would give a tangible representation of it and that would return some of the dangers associated with hoarding in physical space.

2020

selected for Dutch Design Week 2021



shown at Museum Arnhem during Media Art Festival Arnhem 2024







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&#60;img width="1237" height="1536" width_o="1237" height_o="1536" data-src="https://freight.cargo.site/t/original/i/321907874b3b03dbe9242b578ffaeb269c7464f55963899a254b66580144a510/AN4-STASi42.jpg" data-mid="206165489" border="0"  src="https://freight.cargo.site/w/1000/i/321907874b3b03dbe9242b578ffaeb269c7464f55963899a254b66580144a510/AN4-STASi42.jpg" /&#62;



&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/a9fb2886437ff7892e6b45dd47340dcbba211c23c1895c7d8707bcf231a1a454/7.png" data-mid="206165490" border="0"  src="https://freight.cargo.site/w/1000/i/a9fb2886437ff7892e6b45dd47340dcbba211c23c1895c7d8707bcf231a1a454/7.png" /&#62;
&#60;img width="1562" height="1291" width_o="1562" height_o="1291" data-src="https://freight.cargo.site/t/original/i/00073bdd7a06e4d7d76b883941c683994bfcd0d703d2617a288a4c62d7dbb091/8.png" data-mid="206165491" border="0"  src="https://freight.cargo.site/w/1000/i/00073bdd7a06e4d7d76b883941c683994bfcd0d703d2617a288a4c62d7dbb091/8.png" /&#62;





&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/8adf882fd92a91431282c7c4c156904d5177be96b18e4a94d9fff19566a440c3/AN4-STASi41.jpg" data-mid="206165488" border="0"  src="https://freight.cargo.site/w/1000/i/8adf882fd92a91431282c7c4c156904d5177be96b18e4a94d9fff19566a440c3/AN4-STASi41.jpg" /&#62;

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		<title>INMATES OF THE FUTURE</title>
				
		<link>https://julietteblom.com/INMATES-OF-THE-FUTURE-1</link>

		<pubDate>Wed, 16 Jun 2021 13:04:27 +0000</pubDate>

		<dc:creator>julietteblom</dc:creator>

		<guid isPermaLink="true">https://julietteblom.com/INMATES-OF-THE-FUTURE-1</guid>

		<description>&#38;nbsp; 
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&#60;img width="1006" height="927" width_o="1006" height_o="927" data-src="https://freight.cargo.site/t/original/i/2fedc691c59bd1089913a8266bea617780fc2d8b3fa87104cca6067afee0fe8c/IMG_5598.JPG" data-mid="111516120" border="0"  src="https://freight.cargo.site/w/1000/i/2fedc691c59bd1089913a8266bea617780fc2d8b3fa87104cca6067afee0fe8c/IMG_5598.JPG" /&#62;
&#60;img width="1023" height="947" width_o="1023" height_o="947" data-src="https://freight.cargo.site/t/original/i/2ae36e8677d2506bb1b18be7afa45db68f234b0dac1f225b4eef290d73eab595/IMG_5580.JPG" data-mid="111516117" border="0"  src="https://freight.cargo.site/w/1000/i/2ae36e8677d2506bb1b18be7afa45db68f234b0dac1f225b4eef290d73eab595/IMG_5580.JPG" /&#62;


&#38;nbsp;https://inmatesofthefuture.glitch.me/







INMATES OF THE FUTURE








Our society is built on many overlapping systems, determining who you are before you even know it. In the 19th century, Francis Galton, a British eugenicist, tried to distinguish criminals from non-criminals by their facial features. Even though the research failed to be successful, his attempt was not the last. AI works based on provided datasets, recreates already existing patterns, and enhances them for us to observe. I have trained my AI model on a dataset of mugshots and generated new ones. Young, happy, and innocent, yet already labeled guilty.

I started from the history of recognizing criminals by their facial features and how a long time ago they thought that by the size of your forehead, your nose, and the distance between your eyes you can recognize a criminal. I trained an AI with a dataset of mugshots of criminals in America and asked to generate new people. These (non-exciting) people I turned into kids and labeled them as inmates of the future. You can view these on the website inmatesofthefuture.com and each time generate a new kid/future inmate.

2020











</description>
		
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	<item>
		<title>MECHANICAL DESIGN IN THE AGE OF NATURAL REPRODUCTION</title>
				
		<link>https://julietteblom.com/MECHANICAL-DESIGN-IN-THE-AGE-OF-NATURAL-REPRODUCTION</link>

		<pubDate>Wed, 16 Jun 2021 13:18:03 +0000</pubDate>

		<dc:creator>julietteblom</dc:creator>

		<guid isPermaLink="true">https://julietteblom.com/MECHANICAL-DESIGN-IN-THE-AGE-OF-NATURAL-REPRODUCTION</guid>

		<description>

MECHANICAL DESIGN IN THE AGE OF NATURAL REPRODUCTION
























‘From a machine point of view, this is the new haute couture. An AI can look like a human, can speak like a human, can think like a human. But what it cannot do is propagate. What makes a human special is the ability to do that, so that is what an AI will highlight as sexual selection, which is the same for humans as our natural selection.’
 My research into beauty in humans led me from the time before technology, where natural selection defined our view of beauty, to the time where technology changed our view to sexual selection with the help of independence of propagation like birth control or egg freezing. Asking the question “what if the machine decides for the human”, I trained my AI on a haute couture dataset and made two designs into physical pieces. These I displayed in an etalage installation, showing a video in the back of how the AI looks at the world, classifying everything as fertile and sexually attractive.

2021
















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&#60;img width="512" height="512" width_o="512" height_o="512" data-src="https://freight.cargo.site/t/original/i/36a0cb16e7c925388860bff331ced17939e014fcbb00a6f0aac5b486e51f1f9a/img000000007.jpg" data-mid="113361106" border="0"  src="https://freight.cargo.site/w/512/i/36a0cb16e7c925388860bff331ced17939e014fcbb00a6f0aac5b486e51f1f9a/img000000007.jpg" /&#62;
&#60;img width="183" height="179" width_o="183" height_o="179" data-src="https://freight.cargo.site/t/original/i/e8735a3a2763d4f98fd87deec3b5c777c0f56360f6c6baae463945eb543be08a/dress.jpg" data-mid="113361105" border="0"  src="https://freight.cargo.site/w/183/i/e8735a3a2763d4f98fd87deec3b5c777c0f56360f6c6baae463945eb543be08a/dress.jpg" /&#62;

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&#38;nbsp;</description>
		
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	<item>
		<title>PIXELIZED</title>
				
		<link>https://julietteblom.com/PIXELIZED</link>

		<pubDate>Wed, 16 Jun 2021 13:20:53 +0000</pubDate>

		<dc:creator>julietteblom</dc:creator>

		<guid isPermaLink="true">https://julietteblom.com/PIXELIZED</guid>

		<description>&#38;nbsp;&#38;nbsp;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/f6a0d11c43933dde92f379f5856f6320aa28b77f8a5c38f7e11c85e378e8caf1/DD6B7476.JPG" data-mid="112496370" border="0"  src="https://freight.cargo.site/w/1000/i/f6a0d11c43933dde92f379f5856f6320aa28b77f8a5c38f7e11c85e378e8caf1/DD6B7476.JPG" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/65849000feb0207816ac38c7e9c994d3c7f1a67d39f508637881f46c2501431d/IMG_9607.JPG" data-mid="113376578" border="0"  src="https://freight.cargo.site/w/1000/i/65849000feb0207816ac38c7e9c994d3c7f1a67d39f508637881f46c2501431d/IMG_9607.JPG" /&#62;

PIXELIZED













"Just one pixel is nothing, while multiple pixels can be anything. I was interested in just that one pixel and getting past it only being a combination of RGB or a technical object. I gave the pixel physicality by making it into a lightbox. I placed this object into natural surroundings, taking the pixel out of the screen and placing it in places it has never been. With a series of photos, a video, and the physical object, I gave the one pixel a place in the non-digital world.
2021

Shown during the assignment exhibition in June 2021







&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/3d446678a2a7f0b1b88eda3a5d63beb32b5e125922dcca47e54c1608edc72377/DD6B7459.JPG" data-mid="112496368" border="0"  src="https://freight.cargo.site/w/1000/i/3d446678a2a7f0b1b88eda3a5d63beb32b5e125922dcca47e54c1608edc72377/DD6B7459.JPG" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/2b234854981b37bdf383218b718b2dc592ec4464d0b72cd123638eba4871bd19/DD6B7450.JPG" data-mid="112496367" border="0"  src="https://freight.cargo.site/w/1000/i/2b234854981b37bdf383218b718b2dc592ec4464d0b72cd123638eba4871bd19/DD6B7450.JPG" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/d1ec74fddec45fde7e959bce451ab06dcecc36c3ec25f92f847a0d82a0e70e08/DD6B7480.JPG" data-mid="112496372" border="0"  src="https://freight.cargo.site/w/1000/i/d1ec74fddec45fde7e959bce451ab06dcecc36c3ec25f92f847a0d82a0e70e08/DD6B7480.JPG" /&#62;

&#60;img width="5775" height="3850" width_o="5775" height_o="3850" data-src="https://freight.cargo.site/t/original/i/157291743dd8b0d4cbc459bccc60df0842644a33e06947e6d6045a4224d4554f/IMG_9606.JPG" data-mid="113376577" border="0"  src="https://freight.cargo.site/w/1000/i/157291743dd8b0d4cbc459bccc60df0842644a33e06947e6d6045a4224d4554f/IMG_9606.JPG" /&#62;
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/a48c2610bac52c9a4a68816ab29dbd00c521efcf0df3e6bda9be97f01dc8c3ac/IMG_9608.JPG" data-mid="113376579" border="0"  src="https://freight.cargo.site/w/1000/i/a48c2610bac52c9a4a68816ab29dbd00c521efcf0df3e6bda9be97f01dc8c3ac/IMG_9608.JPG" /&#62;


</description>
		
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	<item>
		<title>CLOUDY DAY</title>
				
		<link>https://julietteblom.com/CLOUDY-DAY</link>

		<pubDate>Thu, 01 Apr 2021 10:09:28 +0000</pubDate>

		<dc:creator>julietteblom</dc:creator>

		<guid isPermaLink="true">https://julietteblom.com/CLOUDY-DAY</guid>

		<description>

CLOUDY DAY





Live performance with a live edit filmed by a security camera in Arnhem.2020



</description>
		
	</item>
		
		
	<item>
		<title>CONNECT &#124; DISCONNECT &#124; RECONNECT</title>
				
		<link>https://julietteblom.com/CONNECT-DISCONNECT-RECONNECT</link>

		<pubDate>Thu, 01 Apr 2021 09:38:14 +0000</pubDate>

		<dc:creator>julietteblom</dc:creator>

		<guid isPermaLink="true">https://julietteblom.com/CONNECT-DISCONNECT-RECONNECT</guid>

		<description>&#38;nbsp;&#38;nbsp;

&#60;img width="475" height="268" width_o="475" height_o="268" data-src="https://freight.cargo.site/t/original/i/dd2942efde93ba3bcc18554e8dc6b946676c9206d231b43f6c9fa936f19babb7/2020-11-08-3.png" data-mid="113373226" border="0"  src="https://freight.cargo.site/w/475/i/dd2942efde93ba3bcc18554e8dc6b946676c9206d231b43f6c9fa936f19babb7/2020-11-08-3.png" /&#62;






CONNECT &#124; DISCONNECT &#124; RECONNECT



 

When Sony introduced the Walkman in 1979, they initially designed it with two headphone jacks, fearing that people might find listening to music alone antisocial. However, market research revealed that individuals didn't mind immersing themselves in their own musical world. Consequently, the Walkman was released with just one headphone jack. This decision changed the world
into people now listening to their own music and use headphones to find a
quiet, safe place in their busy surroundings.
people engage with music, as individuals now effortlessly enjoy their personalized playlists, using headphones to seek solace amidst their bustling environments. Through three videos, I explore the evolution of our relationship with technology and music. I delve into how technology initially connected us to music, then inadvertently disconnected us, fostering the creation of isolated bubbles. Finally, I propose leveraging technology to facilitate reconnection once again


 

They changed the world
where people now all listen to they own music and use headphones to find a
quiet safe place in their busy surroundings



 2020



&#38;nbsp;




&#60;img width="2048" height="1536" width_o="2048" height_o="1536" data-src="https://freight.cargo.site/t/original/i/0e13de1d4c9e4853d18028ef1058a4b06583505b5324eaf61935e40e8d079ee1/IMG_4905.JPEG" data-mid="113386563" border="0"  src="https://freight.cargo.site/w/1000/i/0e13de1d4c9e4853d18028ef1058a4b06583505b5324eaf61935e40e8d079ee1/IMG_4905.JPEG" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>WHAT IS SEVEN?</title>
				
		<link>https://julietteblom.com/WHAT-IS-SEVEN</link>

		<pubDate>Wed, 16 Jun 2021 13:18:00 +0000</pubDate>

		<dc:creator>julietteblom</dc:creator>

		<guid isPermaLink="true">https://julietteblom.com/WHAT-IS-SEVEN</guid>

		<description>

&#60;img width="6720" height="3776" width_o="6720" height_o="3776" data-src="https://freight.cargo.site/t/original/i/ed2806f8fdd10506ccbee24c2ce17fb2dfa8ac6ab7ce23abb56f18e08e76fc88/IMG_9812.JPG" data-mid="113355375" border="0"  src="https://freight.cargo.site/w/1000/i/ed2806f8fdd10506ccbee24c2ce17fb2dfa8ac6ab7ce23abb56f18e08e76fc88/IMG_9812.JPG" /&#62;
WHAT IS SEVEN?













Seven minutes. What is seven minutes.What can I do in seven minutes. How do seven minutes feel. 


What is seven minutes? What can I do in seven minutes? How does seven minutes feel?

Time is an invention, yet it remains a significant part of our lives. As part of the assignment to self-design a facet of myself, I became intrigued by the notion of truly understanding what time feels like.

In my quest to enhance my time awareness, I undertook daily tasks lasting exactly seven minutes. I chose seven minutes because it represents the longest 'short' duration between 5 (which feels too brief) and 10 (which feels too lengthy).

Displayed as a dual-screen installation, visitors are invited to test their own perception of time by attempting to gauge when seven minutes have passed, while simultaneously observing and listening to me completing various tasks for seven minutes each, showcased on a separate website.

Although none of my seven-minute sessions precisely aligned with the clock's seven minutes, they all felt like seven minutes to me. After all, the perception of seven minutes is subjective, defined by our individual experiences.




2021
</description>
		
	</item>
		
		
	<item>
		<title>AI&#38;I</title>
				
		<link>https://julietteblom.com/AI-I</link>

		<pubDate>Thu, 01 Apr 2021 09:38:14 +0000</pubDate>

		<dc:creator>julietteblom</dc:creator>

		<guid isPermaLink="true">https://julietteblom.com/AI-I</guid>

		<description>&#38;nbsp;&#60;img width="256" height="256" width_o="256" height_o="256" data-src="https://freight.cargo.site/t/original/i/e6e033fd8b9718027be4323d0e53d228b56e84d73b2f6fc835becd18f1246735/45.jpeg" data-mid="103939240" border="0" data-scale="27" src="https://freight.cargo.site/w/256/i/e6e033fd8b9718027be4323d0e53d228b56e84d73b2f6fc835becd18f1246735/45.jpeg" /&#62;&#38;nbsp;&#60;img width="1600" height="1600" width_o="1600" height_o="1600" data-src="https://freight.cargo.site/t/original/i/3b3aa5f2475d6096a770ae648d3b69ea3bdadef1ef91b55c57ba5f82e7138f6a/46.jpg" data-mid="103939241" border="0" data-scale="27" src="https://freight.cargo.site/w/1000/i/3b3aa5f2475d6096a770ae648d3b69ea3bdadef1ef91b55c57ba5f82e7138f6a/46.jpg" /&#62;AI&#38;amp;I 


interactive video installation


My project, AI&#38;amp;I, delves into the interplay between my ADHD brain and artificial intelligence, offering a glimpse into the intricate workings of both and highlighting their differences or similarities. The comparison often drawn between the system of an AI and a human brain intrigued me, particularly in the context of ADHD, where the brain operates differently, lacking a cohesive 'storagesystem', as it was explained to me upon diagnosis. In my mind, associations fire rapidly, traversing various mental pathways in what may appear disjointed to others but follows a clear logic known only to me. This tendency to hop between subjects, seemingly at random to outsiders, is akin to 'hak of de tak' in Dutch—a clear progression for me, but a puzzle for others.

Similarly, AI generates images by associating given input with its vast knowledge base, a process that may seem utterly random to observers unfamiliar with its inner workings. The installation features two facing screens, with the viewer positioned between them. Only upon entering this space do the images and sounds become perceptible, mirroring the understanding that comprehension lies within the system itself. One screen displays images generated by the AI, while the other showcases images I select based on those generated by the AI. This dynamic creates a dialogue, akin to a tennis match, between the AI&#38;amp;I, offering insight into my thought process and associative journey as I narrate my interpretation of the images displayed. Ultimately, it serves to provide a deeper understanding of both my brain and the path of association it follows.


&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;




 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 






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